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She says upon meeting him on a hot and sticky night, while clad in a revealing white dress, while leaning on a rail by a bandstand at the pier: “You’re not too smart, I like that in a man.” She then precedes to talk dirty with him, have steamy sex with him, and up the ante of their relationship by telling him how much she despises her wealthy but shady businessman husband, Edward Walker (Crenna), whom she says: “He’s small… and mean… and weak.” Instead of keeping her husband, she says she wouldn’t mind having him in her bed for good. The best line in the film is uttered by the curvaceous sexpot, Matty Walker (Turner), who despite being married lures the panting local, small-town Miranda Beach, Florida, screw up lawyer, a seedy but slick looking bachelor in his thirties who thrives on being a womanizer, Ned Racine (Hurt). It plays as if I saw this film before even its surprise ending is more uncomfortable to view than surprising. It’s a complete imitation of that genre–from the femme fatale to the lustful protagonist who is betrayed and gets trapped by his narrow visions and miscalculations about society. It seems as if the sheer joy of that era’s B-film conventions were sucked out of it by this cleverly plotted story.
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“A stylish but somewhat unsatisfying copy-cat film from the film noir of the 1940s”Ī stylish but somewhat unsatisfying copy-cat film from the film noir of the 1940s (especially ripping off Billy Wilder’s Double Indemnity–from the femme fatale hatching the murder plan to the sucker thinking he’s planning the perfect crime).
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Kraft), Michael Ryan (Miles Harding) Runtime: 113 Warner Brothers/Ladd 1981) Preston (Oscar Grace), Carola McGuinness (Heather Kraft), Lanna Saunders (Mrs. Kline editor: Carol Littleton cast: William Hurt (Ned Racine), Kathleen Turner (Matty Walker), Richard Crenna (Edmund Walker), Ted Danson (Peter Lowenstein), Mickey Rourke (Teddy Lewis ), J. BODY HEAT (director/writer: Lawrence Kasdan cinematographer: Richard H.